Mahabharat: Danadharma Parva

Danadharma Parva is the eighty-ninth upa parva included in the thirteenth maha parva named Anushasana Parva. Vaishampayana continued the narration to Janamejaya in reply to his queries as follows.

What was the story of Gautami, her son, Kaala, and Karma told by Bhishma?

Gautami was a lady sitting near a forest. Her son had died due to the bite of a serpent. Vyadha was a hunter; he searched for the serpent, tied it with a rope, and brought it in front of Gautami.

Vyadha asked Gautami how the delinquent snake should be killed. Vyadha was able to kill it by cutting it into many pieces or by cutting off its head with a sword. But Gautami was very patient and requested Vyadha to leave the serpent and let it go free. Vyadha accused the serpent very much. Gautami tried to convince him by telling him about time, the Kaala.

Then, Kaala appeared there as Kaalapurusha and explained his innocence in the killing of her son. Kaala explained that according to Karma phala, the snake had been induced to bite her son. Then, Gautami told that it was her own Karma phala (meaning the result of one’s own actions) that had put her into sorrow. So she should not kill the serpent and sin again. Non-violence was a better policy.

Later, Vyadha disappeared from there; her son got up as if from sleep, and there was no serpent also. The message was in support of life donation. Thus, Bhishma explained non-violence to Yudhishtira.

Why did Bhishma tell the above story to Yudhishtira, highlighting life donation?

Bhishma told the above story to Yudhishtira, highlighting life donation to the serpent and giving detailed explanations of Karma Siddhanta, to remove his sorrows that had arisen in his heart due to the war. Yudhishtira was frequently thinking about the war, as he was responsible for killing Karna and for Bhishma lying with wounds on the battlefield. ​

AI-generated image of a Mahabharata scene at Kurukshetra, showing the aged warrior Bhishma reclining on a bed of arrows, blessing and instructing Yudhishtira seated at his feet, while Krishna stands beside them adorned with garlands and ornaments, with a glowing sunset and silhouettes of chariots and warriors in the background.
Bhishma imparts his final teachings on Dharma to Yudhishtira as Krishna looks on in compassionate silence at sunset (AI-generated image)

Bhishma had seized the young lady called Amba and denied her freedom of life. When Dushasana insulted Draupadi in the court session, Bhishma, due to the presence of acting emperor Duryodhana, kept silent, and so he deserved his sufferings and failures on the battlefield. Details about the past life of Karna are already available in the article Karma Siddhanta. For the resulting happiness or sorrows, one’s own past actions were the reasons. Hence, there was no need to feel sorry, and Bhishma consoled Yudhishtira.

What was the most famous recitation of Bhishma in this chapter?

Vishnu Sahasranama, or the thousand names of Vishnu in Sanskrit verses, was the most famous recitation. Under Anushasana Mahaparva, in Danadharma upa parva, this chapter of the Mahabharata was told by Bhishma to Yudhishtira before his Yoga Samadhi in Kurukshetra after the war.

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Mahabharat: Mokshadharma Parva

Mokshadharma Parva is the eighty eighth Upa parva included in the twelfth Maha parva named as Shanthi parva. Vaishampayana continued narration to Janamejaya in reply to his queries as follows.

What was Manki Muni Gita, told by Bhishma to Yudhishtira?

Manki Muni Gita is a side story told by Bhishma to Yudhishthira. There are three main characters in this story. The moral lessons are: the desire to acquire more money, the need to be deserving of that wealth, and the importance of having God’s blessings for it.

King Janaka, while tilling the land with a plough and yoke using two grown-up male calves, found a box containing the child Sita. The news spread quickly, and people began speaking of Janaka as a very fortunate king.

Manki Muni was a greedy man. He wanted to be rich and earn more money. He thought that if he also tilled the land with a plough and yoke, he too could become rich one day. He managed to get two grown-up male calves. Wanting to learn how to till, he put the yoke on the shoulders of the two bulls, tied the plough, and began walking over a very large, level field. The bulls were small but moved very quickly, and Manki Muni could not keep up with their speed.

At some distance, a big camel was resting, lying on the field. The two uncontrolled bulls tried to pass on either side of the camel while still joined by the yoke. When the yoke touched the camel’s shoulders, it was disturbed, stood up, and started to walk quickly. The two bulls were hanging on either side of the camel and, because their necks were tied to the yoke, both died after a few minutes from suffocation.

King Janaka was very happy in his palace, but Manki Muni was very sad in his field. He was inexperienced in his new trade and felt unlucky. Previously, he had forgotten God, but when he failed, he immediately remembered God. Bhishma told Yudhishthira that the third character in the story was God, and that Manki Muni learned the moral lessons.

Manki Muni abandoned his greedy desire for more money and performed penance. He became a devotee of God and led a simple life. Later he attained peace and became a rich man. He remained a Muni, not a Rishi.

In the Moksha Dharma Upaparva of the Shanti Parva of the Mahabharata, a few Sanskrit verses describing this side story are known as the Manki Muni Gita.

AI-generated image of Bhishma lying peacefully on a glowing bed of arrows, halo around his head, teaching the seated Yudhishthira. In the soft, sepia-toned background appear faint scenes of Manki Muni with calves and a camel, Jajali standing in meditation with birds nesting on his head, the merchant Tuladara in his shop, Kashyapa Rishi with a fox, and a cross-shaped group of stars symbolizing Disha Swasthika.
Bhishma teaching Mokshadharma to Yudhishthira from his bed of arrows, with visions of Manki Muni, Jajali, Tuladara, Kashyapa and the Disha Swasthika constellations around them (AI-generated image).

What were the ‘Acharas’ leading to Moksha as mentioned by Bhishma?

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Mahabharat: Apaddharma Parva

Apaddharma Parva is the eighty seventh Upa parva included in the twelfth Maha parva named as Shanti parva. Vaishampayana continued narration to Janamejaya in reply to his queries as follows.

What did Bheeshma explain to Yudhishtira about difficulties?

Bheeshma spoke about items like peace treaty, escaping for self-defense and fighting in the war, with Yudhishtira. The treasury may get empty, the servants may cheat, and the ministers could help the enemies, Bheeshma told, are the various challenges. 

Between moral strength and physical strength, how did Bheeshma explain?

Bheeshma said that physical strength predominates over moral strength in worldly situations and that life must be carefully protected through self‑defense in times of danger. If life is preserved, then in the future, a person who is currently weak can later gain physical strength. Dharma follows the one who survives and continues to act.

Therefore, self‑defense should be the first consideration for any living being in this world. Strength is always honoured, and the weak are often neglected. Even if the prince is a child, if the ministers who rule on his behalf are strong, the kingdom can be said to be in a comfortable position.

How did Bheeshm appreciate the benefits of strength?

वश्यो बलवतां धर्मः सुखं भोगवतामिव ।
नास्त्यसाध्यं बलवतां सर्वं बलवतां शुचि ॥

If a person possesses strength, society respects him as one who upholds dharma. For the strong, almost nothing is impossible, and all actions appear justified. A man in danger can survive and regain strength through continuous effort. In the presence of the powerful, everything appears orderly, pure, and well‑maintained.

Bheeshma lies on a bed of arrows at sunrise on the Kurukshetra battlefield, raising his hand in instruction as Yudhishtira stands before him with folded hands and another warrior looks on in the background.
Bheeshma, resting on his bed of arrows at Kurukshetra, imparts final guidance on strength, dharma, and righteous rule to Yudhishtira (AI-generated image).

What is to be done in disastrous situations?

विज्ञान बलमास्थाय जीवितव्यं तथागते ।
सर्वं साध्वर्थमेवेदमस्वाध्वर्थं न किं च न ॥
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Mahabharat: Rajadharma Parva

Rajadharma Parva is the eighty sixth Upa parva included in the twelfth Maha parva, named as Shanthi parva. Vaishampayana continued narration to Janamejaya in reply to his queries as follows.

How many days were spent in anarchy and who was really ruling then?

On the seventeenth day afternoon, when Duryodhana had hid under the water in Sarovara, there was anarchy in Hastinavati. Balarama was ruling on the next day.

Yudhishtira ordered Bhima to capture Ashvathama. Then, Arjuna used Brahmastra against him for making him surrender, when Ashvathama engaged in massacre violence, lighting fire to the Pandavas’ army camps at night.  Yudhishtira had done what Krishna desired after the war. Krishna tried to avoid the situation of anarchy.

After the war, when and how did Yudhishtira enter the Palace?

After the war, on the nineteenth day, Yudhishtira was feeling uneasy to enter Hastinavati and Palace. Then Vyasa, Krishna, Devasthana Rishi, Narada and many Vedic people had requested Yudhishtira to enter Hastinavati and the Palace.

Vyasa had appreciated Bheeshma and told to Yudhishtira, as and when needed, he could be consulted and should be visited to enquire his comforts. Then, a special cart with sixteen bullocks was made ready there. Bhima took the reins. Arjuna held the white umbrella. Nakula and Sahadeva had acted as body guards. Yuyutsu ascended his horse and followed as back side security. Vedic people started reciting the Swastimantras and walked in front row.

An Indian mythological-style AI-generated image composed of several panels: a grand royal procession led by Yudhishtira and his brothers enters the gates of Hastinavati Palace, with Krishna and Satyaki in a chariot and citizens joyfully welcoming. Inside the palace, Yudhishtira is shown being crowned on an ornate throne by Dhaumya and Kripa, surrounded by members of the royal family, Vedic scholars reciting mantras, and key figures receiving duties. The image features expressive faces, rich textiles, and decorative architecture, symbolizing the restoration of order and unity after the war.
The triumphant return to Hastinavati and the coronation of Yudhishtira, depicting the procession, rituals, and unity among royals and scholars as peace and dharma are restored following the Mahabharata war (AI-generated image)

The procession entered the Hastinavati front gate and then marched to the Palace. Krishna and Satyaki followed in a chariot from the back. Dritarashtra with Gandhari had been leading in the front sat inside the palanquin, escorted by servants. The ladies team also followed in many palanquins with many kings and soldiers following them. They were very happy. The citizens were happy to see and receive them. The Palace people also welcomed them.

The Palace was decorated to please Krishna and Yudhishtira. In the front, Dritarashtra with Gandhari were leading but Sanjaya was the charioteer carrying the royal materials belonging to Dritarashtra. 

Who was Charvaka? How did Krishna describe him?

Charvaka was a demon king and a friend of Duryodhana. Charvaka had conducted penance for many years and got boons to shine in this world with powers. He had not been killed in the war.

To please his friend Duryodhana, Charvaka had disguised as a Brahmin and appeared on the way to the Palace of Hastinavati. He started to condone Yudhishtira in a loud voice. He boasted that he was a representative of Vedic scholars. Yudhishtira became momentarily sad but immediately Krishna had recognized him.

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Mahabharat: Griha Parva

Griha Parva is the eighty fifth Upa parva included in the eleventh Maha parva named as Stri parva. Vaishampayana continued narration to Janamejaya in reply to his queries as follows.

Why did Yudhishtira repent on the banks of River Bhagirathi?

Yudhishtira had repented and fallen unconscious on the banks of River Bhagirathi since he had thought he was resp[onsible for the bloodshed in the war. Karna was his elder brother but he was killed. Shalya was his uncle, but along with many friends and relatives, had been killed in the war.

Yudhishtira would become the emperor but many people lost their lives during the war. After sprinkling water, he recovered. Bhima and Arjuna had escorted him to uplift and sit on the ground. He was telling war was bad and he desired to go for penance, and that he would go to the forests again.  

Who was Devasthana Muni and how did he pacify Yudhishtira?

Devasthana Muni was a silent Rishi. He was not talking when Duryodhana was ruling since he had no freedom of speech then. He disliked Duryodhana. He pacified Yudhishtira, by starting his speech. He loudly praised Yudhishtira.

An Indian mythological-style AI-generated image showing Yudhishtira lying in emotional exhaustion by the banks of the River Bhagirathi, supported by Bhima and Arjuna. Devasthana Muni sits nearby, raising his hand in a gesture of wisdom and comfort. In the background, palace architecture and royal figures such as Draupadi are visible near an open treasury chest, symbolizing hope and renewal after war.
Yudhishtira’s moment of repentance at the River Bhagirathi, comforted by Bhima and Arjuna, while Devasthana Muni and key royal figures preside over the transition from sorrow to renewal in the aftermath of war (AI-generated image)

How did Devasthana Muni explain about wealth and Yajna to Yudhishtira?

Devasthana Muni explained to Yudhishtira about wealth and Yajna. When the king engages in peaceful administration, his sorrows would vanish. War and defense were unavoidable for the protection of the wealth of the kingdom, he consoled him.

What was told by Narada Muni about Karna’s failures?

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Mahabharat: Jalapradanika Parva

Jalapradanika Parva is the eighty fourth Upa parva included in the eleventh Maha parva named as Stri parva. Vaishampayana continued narration to Janamejaya in reply to his queries as follows.

What was the main difference between Shraddha and Jalapradanika Parvas?

The contents of Shraddha parva dealt with the dead bodies in the funerals using fire by only the male livings people of the kings and soldiers of the war. The contents of Jalapradanika parva described the offering of water oblations in honor of the dead, on the banks of river Ganga using the holy water, by all the livings people of the kings and soldiers of the war.

The fire flames usually show, burning upward, symbolizing the soul entering in to the heaven. The water oblations usually show, pouring downward, symbolizing the physical remains entering in to the permanent earth. Then, the heart and body get purified gradually. 

On the side of the Kauravas army, who was alive and authorized to perform the water offering rituals after the war? 

Yuyutsu was the youngest of the Kauravas alive after the Mahabharata war on the side of Kauravas and he was authorized for the water offering rituals. He was very sympathetic. He had protested Dushasana in the court, while the dice game was played between Duryodhana and Yudhistira. He supported righteousness, frequently referring the phrase ॥ यतो धर्मस्ततो जयः ॥.

Before the commencement of the war, an option to accept the sides was provided by Yudhishtira, and Yuyutsu had entered the side of the Pandavas army. Please refer Bhishma Patana parva of this website.

It was Yuyutsu who initially named Yudhishtira as Dharmaraja. Yuyutsu had later ruled in Indraprastha, and helped Yudhishitra with his Ashwamedha yaga also.

An AI-generated of an ancient Mahabharata‑era river scene, showing Yudhishtira and Yuyutsu standing waist‑deep in the Ganga at dawn, performing water oblation rituals while long rows of mourners and widows fill the misty background along the riverbank.
Yudhishtira and Yuyutsu offering sacred water oblations in the Ganga for those fallen in the Mahabharata war (AI-generated image)

Who was the mother of Yuyutsu? What happened to the land he ruled later?

The maid servant of Gandhari, named as Sugadha, was the mother of Yuyutsu. Dritarashtra was his father. He had ruled Indraprastha and got natural death. He had lived for one hundred and twenty years of age and after his death, the land he ruled was amalgamated with the land of king Parikshit of Hastinavati.

What was done on the banks of river Ganga?

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Mahabharat: Shraddha Parva

Shraddha Parva is the eighty third Upa parva included in the eleventh Maha parva, named as Stri parva. Vaishampayana continued narration to Janamejaya in reply to his queries as follows.

Who was the priest for Pandavas for conducting the Shraddha rituals?

Dhaumya Rishi was the authorized priest of Yudhishtira and the Pandavas. Kripa was to safeguard the throne inside the Hastinavathi Palace. Yuyutsu was the surviving son of Dritarashtra and all other Kaurava sons had died after the war.

Dhaumya was to crown Yudhishtira with Draupadi to the throne in the Hastinavathi Palace. Vrishaketu was the surviving son of Karna, and being a minor child, he could not participate in the war, and all Upapandavas had also died after the war. Hence Yudhishtira had arranged, with the help of Kripa, the last rituals on behalf of all dead Kauravas’ soldiers by the hands of Vrishaketu.

An AI-generated image depicting a scene from the Mahabharata. Dhaumya Rishi sits before a sacred fire on a riverbank, performing a ritual. The kingly figure of Yudhishtira in white and gold stands with his hands in a prayer position, surrounded by a group of grieving men and women. In the background, a grand palace is visible through the mist at sunrise or sunset, creating a somber and epic atmosphere.
Dhaumya Rishi performs the Shraddha rites for those lost in the Kurukshetra War (AI-generated image)

Drona was the cousin brother of Kripa and as per advice of Bhishma as well as the request of Kripa, Yuyutsu had done the last rituals of Drona also. He was a student of Drona and Kripa but then unmarried. All ladies of Hastinavati obeyed the instructions of Dhaumya.

What is the main content of the Shraddha parva?

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Mahabharat: Stri Parva

Stri Parva is the eighty-second Upa Parva included in the eleventh Maha Parva, known as the Stri Parva. Vaishampayana continued his narration to Janamejaya in response to his questions as follows.

What did the ladies and Dhritarashtra do when Sanjaya announced the end of the war?

The palace ladies, led by Gandhari, and Dhritarashtra with his son Yuyutsu, set out to visit the battlefield, where the corpses had been mutilated by birds and animals and lay scattered across the Kurukshetra war ground. It was the morning of the nineteenth day. Relatives and inheritors of the fallen soldiers searched the battlefield for their loved ones, moving from place to place. By Yudhishthira’s order, the tents and camps were cleared, and people began to return to their permanent residences with their families.

The Pandava brothers, along with Krishna, heard of Dhritarashtra’s arrival with Gandhari and Kunti at Kurukshetra. Krishna greeted Dhritarashtra, Gandhari, and Kunti on the way and saluted them, speaking in soft tones. Yudhishthira also welcomed them respectfully. Gandhari had tied a cloth over her eyes, but she could see the tips of Yudhishthira’s toes, which suddenly turned black.

Elderly Gandhari with a blindfold, dignified Kunti in white widow’s attire, and youthful Draupadi with dark complexion and expressive eyes, depicted in a grand palace hall softly lit by lamps, each embodying resilience and emotional depth in post-war reverence (AI-generated image).
Queens Gandhari, Kunti, and Draupadi in solemn reflection within the palace after the Mahabharata war (AI-generated image).

Krishna, wise and perceptive, understood the feelings of both Dhritarashtra and Gandhari. Yudhishthira instructed his brothers to speak only kind words with the palace people and the ladies. Since Kunti was present, Yudhishthira also saluted her with his brothers. Krishna then greeted Gandhari with consoling, gentle words.

Where was Draupadi then?

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Mahabharat: Vishoka Parva

Vishoka Parva is the eighty first Upa parva in the eleventh Maha parva named as Stri parva. Vaishampayana continued narration to Janamejaya in reply to his queries as follows.

Who told Gandhari about the fall of Duryodhana?

Yudhishtira requested Krishna to meet Gandhari and inform her about the fall of Duryodhana. Krishna was an expert in speaking, hence he went to the Palace in his chariot and informed Gandhari and Dritarashtra about the fall of Duryodhana.

Krishna praised both Gandhari and Dritarashtra for some time on the night of the eighteenth night. When they heard the fall of Duryodhana, they started weeping. Krishna consoled them.

AI-generated illustration in traditional Indian miniature art style showing Lord Krishna gently consoling King Dritarashtra and Queen Gandhari in the royal palace after Duryodhana’s fall, rendered in warm sepia tones with rich royal attire and soft lamplight ambiance.
Krishna consoles Dritarashtra and Gandhari after the fall of Duryodhana (AI-generated image)

Since Duryodhana had announced it as a happy end for him, Krishna told Gandhari about the same and told her he was shining as the emperor till his last moment. 

What did Krishna tell to Kripa? 

Then, all the palace ladies started crying. Krishna later informed Kripa that the Pandavas would be coming to the Palace with their wives on the next day morning. It would be the nineteenth day morning.

Kripa had arranged to receive them all on the next day morning. Then, the war had ended so they tried to sleep peacefully.

What did Sanjaya do?

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Mahabharat: Ashwathama Parva

Ashwathama Parva is the eightieth upa parva included in the tenth maha parva, named Sauptika Parva. This is also called Ashwathama Nirgamaṇa Parva, since he departed after the advice of Krishna, and Ashwathama was given into the custody of Vyasa, whom he followed to learn moral ethics. Vaishampayana continued the narration to Janamejaya in reply to his queries as follows.

Why had the Pandava brothers not returned to their camp on the seventeenth and eighteenth evenings?

On the seventeenth evening, instead of going back to their own army camps, the Pandava brothers went to an undisclosed hiding place as per the instructions of Krishna. By that evening, Karna had fallen, while Kripa was still alive since he was near the throne. Karna had already died following his own vows and the yoga of his lifetime. All the Kaurava brothers died except Yuyutsu and Duryodhana. The father of Yuyutsu was Dhritarashtra and his mother was Sughada, the maid-servant of Gandhari.

An AI-generated Indian miniature-style painting of Ashwathama riding a white horse toward the hermitage of sage Vyasa at Badarikashrama, with the ruins of Kurukshetra battlefield fading in the background, symbolizing his departure from war to spiritual guidance.
Ashwathama departs from Kurukshetra and surrenders to Vyasa’s guidance at Badarikashrama (AI-generated image)

On the first day morning of the war, Yuyutsu had already joined the Pandavas’ side, leaving the Kauravas’ side. Since the entire Kurukshetra area was filled with blood-stained, wounded soldiers, holy people like Durvasa Rishi could not find a peaceful place to sit for their evening prayer. Some soldiers were given meat and pork to eat every day. It was noteworthy that the pigsty of livestock kept in underground cages was empty but without bloodstains. Bhima ordered hunted meats, with instructions to trace the missing Duryodhana. The butchery was done in the army kitchens only, and the wastage was neatly processed. Hence, near the Oghavati River, one pigsty was selected by Krishna for hiding and night resting for the Pandavas.

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