Tag: mahabharata (Page 8 of 9)

Mahabharat: Amshavatarana

November 30, 2020 / Govinda Bhat K / 1 Comment

Amshavatarana is the sixth upa parva in the Adi parva of the Mahabharat. The story had been told by Veda Vyasa Rishi to his son Shuka muni, with the title Jaya. Hence, there should be such words and crazy incidences, regarding the true happenings, also pleasing to the children. Some western authors had re-written with the name Mahabharat and marked with a tag-note for enjoyment of aged people, or of more than eighteen years, and presented with exaggerations, without divinity. In this website, it is tried to present the story with the true essence of holiness as Veda Vyasa intended to present to his own son Shuka.

Mahabharat: Astika Parva

November 24, 2020 / Govinda Bhat K / 2 Comments

Astika upa parva is the fifth upa parva in the epic Mahabharat. The word Astika has many meanings in Sanskrit. In this context, Astika is taken as a believer of God. Astika was the name of a Rishi who stopped the serpent’s yajna of Janamejaya.

Churning of the milky ocean by demons and Gods — Samudra Manthana – Churning of the milky ocean

Astika was a peace lover. He supported non-violence. Astika used the method of oral request that was open to him since he had no power to command to stop the serpent’s yajna. He knew God exists in the hearts of the living beings, as narrated in the Bhagavadgeetha:

Mahabharat: Pauloma Chyavana

November 22, 2020 / Govinda Bhat K / 1 Comment

In Mahbharat, Pauloma parva is the fourth upa parva, under the first maha parva, named as the Adi parva. Maha parva means parts of the epic, the main book of Mahabharat, and upa parva means sub divided volumes. Mahabharat was authored by Veda Vyasa Rishi and he told the entire epic to his son Shuka Muni in eighteen parts with an appendix or in total say, one hundred sub divisions. Suta Puranika had heard the narrations, when he had attended the serpents’ yajna performed by Janamejaya, where the epic was retold by Shuka muni to the audience assembled there.

After completion of the yajna, Suta Puranik, while returning, had visited the hermit of Ugrashrava , son of Lomaharshana, at Naimisharanya. Ugrashrava had requested Suta Puranik to narrate the same epic. Thus three upa parva was completed. He started to narrate the fourth upa parva, the pauloma parva. After accepting the provisions of due hospitality, the story teller, Suta Puranik upheld the lesson of this upa parva being the highest virtue as non- violence, as adorable for any human being and to be longed for that root principle of Dharma.

Mahabharat: Paushyaparva

November 21, 2020 / Govinda Bhat K / 2 Comments

In Mahbharat, Paushyaparva is the third upa parva, under the first parva namely the Adi parva. The original name of the Mahabharat book was Jaya, as Vyasa, the original author had desired. Then, Suta Puranikas, the story tellers called the same book with other names, and it is also known as Panchama Veda. Now, the Sanskrit name of this upa parva is Paushya and it would be better to study regarding the word Paushya. It is recommended to read the article Uttanka in Ramayana and Mahabharat before preceding the following elaborations on Paushya. In the Ramayana epic, one of the stars in the sky, Tishya had been referred. The same Tishya had been renamed by Suta Puranikas as Pushya in Mahabharat. After the star Pushya, the next star is Ashlesha, or Ayilyam as named in south Indian languages.

Mahabharat: Parvasangraha

November 20, 2020 / Govinda Bhat K / 0 Comments

Parvasangraha upa parva is the second upa parva of the first parva called Adi parva in the epic Mahabharat. There is a major difference between the parvasangraha upa parva with other upa parvas. The collection of the special heroic events of the Mahabharat characters, with emphasis on collection of arms, weapons had been narrated in this upa parva. Also, the collection and counting of verses of each and every chapter is narrated in this upa parva. The Upakhyanas were also collected and briefed in this upa parva. Upakhyanas were narrated as similar supporting stories but made crazier than the main story. The main story had gathered its volume with these side one proving stories, say upakhyanas and the central holiness was maintained with its credentials, like a holy religious book. Gandhiji had already declared Mahabharat as the fifth veda, or Panchamaveda.

9th day of Mahabharat War in Kurukshetra — Ninth day of war

Anukramanika In Mahabharat

November 5, 2020 / Govinda Bhat K / 0 Comments

Anukramanika is the name of the first upa parva out of ninteen upa parvas in Mahabharat. Mahabharat epic has eighteen parvas and Adi parva is the first one. The original epic had been written in Sanskrit in verses. The total verses would be exceeding one lakhs.

In olden times, to be memorized by the disciples, the author cum teacher of this epic had classified the verses into several clusters, the partitions done according to the flow of events in due course of time. Parashara Rishi was the father of Veda Vyasa Rishi. Shuka Muni was the son of Veda Vyasa Rishi. Veda Vyasa Rishi himself told the entire Mahabharata to his son Shuka. Shuka told to his disciple, Suta muni. In the Anukramanika upa parva, the summary of Mahabharat had been told in brief in the sequential form like indexing the story chapters, done for convenience.

Mahabharat: Introduction

November 1, 2020 / Govinda Bhat K / 1 Comment

Mahabharat is an epic, written in Sanskrit, centuries ago in India. Ramayana had been seen as the oldest and holiest epic. Hence, it was already read with reverence during the month of Karkataka, as per solar calendar. After paddy cultivation, in Kerala, during the month of Karkataka, people could be seen reading Ramayana daily. Even after that one month, some energetic and young farmers of our country felt the necessity of another epic with a different taste. In the next month, as the paddy plants show growth slowly, and farmers have to simply watch their growth, feeding the natural monsoon water to the plants. This month is the Leo or Chingam under solar calculation system. Thus, people used to read the epic Mahabharat.

Mahabharat war — Kurukshetra or Dharmakshetra from Mahabharat

Chiranjeevis In Indian Epics

August 20, 2020 / Govinda Bhat K / 0 Comments

Ramayana and Mahabharata are great Indian epics. They have been written in Sanskrit language but translations are available in many languages, throughout the world. Each and every character of the epics had fulfilled their assigned roles during their lifetime and returned to heaven or hell according to their accumulated virtues or sins. Some of the souls could not return from this universe but their physical body had been disbursed into the five fundamental items, namely, earth, fire, water, air and sky.

Later, when God appeared in this world as incarnation, like God Rama or Krishna, they had trans granted such souls onto the appropriate end targets, generally in to the heaven. But there are certain relaxations to some persons. The services of Hanuman and Vibhishana were always found necessary in this universe by God Rama. Hence they had been granted uncountable span of life, to live always in this world, exhibiting their own desired choice of physical forms. Hanuman and Vibhishana were called Chiranjeevis of this world after Ramayana. There are five more Chiranjeevis:

अश्वत्थामा बलिर्व्यासो हनुमांश्च विभीषणः ।
कृपः परशुरामश्च सप्तैते चिरजीविनः ॥

The seven immortals or Chiranjeevis — The Seven Chiranjeevis

Mainda And Dwividha In Ramayana

August 17, 2020 / Govinda Bhat K / 1 Comment

In Ramayana, Mainda and Dwividha were monkeys. The area north from Prasravana Mountain and south from Godavary River, in India was the free moving zone of monkeys and called as Kishkindha. The main palace called Kishkindha palace was occupied by the Monkey King Sugriva and Angada was ruling as the forest prince, since his father was killed in a war.

Representative image of vanaras — Representative image of Vanaras

Uttanka In Ramayana And Mahabharata

August 10, 2020 / Govinda Bhat K / 3 Comments

Lakshmana was wearing two ear rings, one on each ear, by which he could evade hunger and thirst while wearing them, which were provided by his Guru, Viswamitra Rishi to him, during the days of his education under him. This was the top secret power of Lakshmana. When he found his life span was about to be completed, he started towards Sarayu River for performing Yoga Samadhi and on his way, he found the king Saudasa coming towards Ayodhya to meet with God Rama. Lakshmana told him the Emperor God Rama was then very busy, had scheduled meeting with Durvasa Rishi and he may meet him on another day. After convincing him, he loosened his two ear rings and entrusted them to king Saudasa in order to hand over them to Ahalya as the gift of sympathy and honor.